One of my students forwarded me the link to this article in Salon by Gary Kamiya, in which the author laments the failure of tone and spirit of the Beowulf movie by comparing it to Beowulf-scholar J.R.R. Tolkien's Lord of the Rings and Peter Jackson's movie adaptation of that text. So far this is the best analysis I've seen of why Beowulf the movie was so disheartening for those of us who love the poem; and it's a wonderful antidote to all those annoying reviews, good or bad, that start with a reference to "the poem you were forced to read in high school" or "the poem you hated in high school." Here's a sample:
"Beowulf" doesn't fail because it changes the story: It fails because it is so busy juicing up the story that it does not create a mythical universe. It has no transfiguring vision. It seizes upon an ancient tale, whose invisible roots run deep into our psyches, and uses it to construct a shiny, plastic entertainment. It takes a wild fable and turns it into a tame story. But "Beowulf" is the kind of story that is meaningless unless it is part of a cosmology. It is, in short, a myth.Thank you, Mr. Kamiya, for an elegant and thoughtful article.