Thursday, August 31, 2006

Students (and boyfriends) say the darndest things

Once again I've gone unintentionally silent for longer than I meant to. Chalk it up to the following: Bullock's going up for tenure and the file's due tomorrow; the university is doing "prioritization" and every department has extra weekly meetings; I'm still not done with those fraking encyclopedia articles and they're due tomorrow; and, dammit, graduate students are freakin' needy and being graduate advisor seems to take up more time than the one course I traded for the job.

Anyway...while helping Bullock go through his file one more time, I came upon the Best Student Evaluation Comment Ever, at least from this medievalist's point of view. Keep in mind that Bullock teaches in a social science and the reading material for the course is primarily 20th century. OK, you ready? Here it is:

The cases are written in Old English prose, so hearing the lecture in today's English language definitely helps me understand.
Well...at least s/he got "prose" right. And Bullock's response (to me, that is, while I was laughing)? He said this: "I think what the student means is prose steeped in stinky cologne."

Te-hee!

Saturday, August 26, 2006

Affecting, flattering, and frightening items of the week

Item 1: Affecting

Yesterday I got the mail at home and found a small, elegant envelope addressed to "Prof. FirstName Virago" (what would Dr. Virago's first name be, btw?) in my dissertation director's unmistakable handwriting and blue ink. (Maybe he uses black, too, but all I can ever recall is blue.) Inside was an architecture review from his Big City newspaper about The Rust Belt Museum's latest expansion. (Think the Milwaukee Museum of Art's expansion and you'll get the sense of what a Big Deal this has been for Rust Belt.) At the top of the review -- which was glowingly positive -- was a note that said "Dear FirstName -- Sounds/looks good in Rust Belt! From today's Big City Paper. Best, HisFirstName."

I found this so utterly touching and sweet. First of all, he's Mr. Sophisticated, so he's probably been thinking all this time, since I got this job, that I'd been exiled to some hideous existence on the fringes of civilization, and was delighted to see that the savages do have some culture after all. I say this warmly -- he does have a snobby streak, but I think he works hard not to act on the first impulses of that snobbishness. But the main reason I was so affected by it is that it was something my mother would have done. Actually, she would have *loved* the Director. They both had/have penchants for the color green, fine art, all things European, and fine cuisine, and they both were/are decent, kind people with snobby streaks they tried not to express, for that just wouldn't be polite. But more to the point, my Mom used to cut out and send me articles about things of interest to me in just the same way -- in an envelope by itself with a note written on the top on the article. Honestly, it almost made me cry.

Item 2: Flattering, but also freakin' frightening

So I have a friend visiting this weekend, who used to be a grad student in our program -- he's currently galavanting about with another friend in town, so I'm not ignoring him, I swear. Let's call him Big Teutonic Queer, an epithet I came up with last night while imitating someone in the department who was clearly uneasy in BTQ's presence, and which BTQ loved so much that he's been referring to himself by it all day today. Anyway, last night Big Teutonic Queer went out drinking with our department chair and while BTQ didn't come back with the best gossip ever -- dammit! -- he did come back with a little nugget that set my heart pounding with a strange combination of pride and abject fear. Apparently, Chair said that she has to take a sabbatical soon or she's be thrown off the whole sabbatical rotation, but she has to wait until I get tenure so that there's someone she trusts to run the department in her stead.

Uh....Squeeze me? Baking powder? Gosh and golly, I'm flattered, but um, no. There will be no chairing of departments right after I'm tenured, interim or not. And I think the department might have some say in this anyway. (Yeah, ya think?) But still, it's nice that she thinks I could take that on.

All in all, I feel so "grown up"!

Thursday, August 24, 2006

Question for the internets: does an MA have a rat's chance in hell?

Update: Thanks everyone for the really helpful comments! As I said in my response, I think my students who want to work in CCs really need to do their research and find out what search committees at local CCs are looking for, and talk to our own composition people about the job market in the field in general.

Original Post
OK, my post title is rather cheeky and vague. Here's my real question (which I also e-mailed to Dean Dad*, who doesn't read this blog as far as I know):

How much of a chance does a person with an MA only have of forging a stable career in teaching composition and literature at the community college level? Emphasis on "stable" and "career" -- I'm not talking about contingent, temporary labor.

Many of our graduate students are under the impression that they can be "college professors" in composition or literature (but especially the former) at the community college level with an MA. I think they're thinking full time, stable jobs, and not adjuncting and part time work when they use the phrase "college professor." My understanding -- but my experience is limited -- is that while once upon a time the community college market didn't require a Ph.D., they are now preferring or even requiring Ph.D.s at CCs since they can get them because of the state of the market in higher ed in general. Am I right?

I want to be sure my students are thinking realistically.

*Dean Dad's current post goes a long way towards answering my question, but I'd like to hear more.

Monday, August 21, 2006

Big beautiful bookcases!

Seeing pictures of Flavia's gorgeous new home and study (love those colors!) while catching up on blog-reading this weekend made me realize that I haven't yet posted pictures of the *beautiful* bookcases Bullock made for me. I don't have kids or pets to brag about, so instead I offer you my beloved Bullock's handiwork. You really must click on the small pictures to see them in their full glory. Here are two of them from top to bottom:

Eventually I'm going to get rid of those ugly binders on the bottom row of the second case (they contain six different versions of my book!) and use it for library books. (That wire running across the floor is the internet cable that comes in my study, through the wireless router [I'm wireless], out my study door, across the hall, and into Bullock's computer. Yeah, fixing that is on the project to-do list, but it involves drilling through the brick exterior of the house to take it in through B's office.) Oh, and btw, all the shelves are adjustable -- it's just kind of a coincidence that I have most of them on the same level across the cases. And now here's all three together, though I couldn't get them all to fit totally in the frame:


Now here are some shots that give you a good look at the details and the gorgeous wood. First, a close-up of one of the shelves without books on it.

If you click on it to see the bigger version, you'll see that each shelf has a simple beading to it. The caps on the top have a similar beading, only kind of in reverse. (I don't have a good picture of that to show you, unfortunately.) And I just love the maple and walnut contrast, which really shows up on the side of the cases -- only one of which is visible, unfortunately. But it's the first thing you see as you enter the office, as you can see in this final picture. I dig the grain pattern:


Isn't Bullock talented?

Now, if only the color of the walls were as cool as Flavia's study! The dull gray-blue came with the house, and while Bullock has done lots of repainting in the living room, dining room, stairs, and hallway, we just haven't gotten to my study. The bookcases were more important. Of course, if we do repaint, we'll have to move all those books! Sigh.

Saturday, August 19, 2006

Medieval drama links and stuff

This one is for the fans of medieval drama out there. And I just know there are millions of you.

So one of the things that got me all excited about The Broadview Anthology of British Literature: The Medieval Period, the anthology I keep mentioning but not yet writing about, is its medieval drama section, which is simply awesome. Yes, I always judge an anthology by its medieval drama section (where appropriate, that is), because it's easiest to tell if an anthology is carefully and thoroughly done, up-to-date, interesting and innovative by seeing what they do with medieval drama. As I've written before, too often editors have let that section fester with out-of-date misinformation, like saying that drama started in the church, moved to the church steps, and finally moved to the city streets. So wrong -- and so stinking out of date -- in so many ways.

Anywho, what initially got me really excited about this anthology was not only that it was absolutely up-to-date on current knowledge of drama (it doesn't even make the now questionable assumption that all medieval plays were written by clergy) but also that it made really cool text selections. It has the Jeu d'Adam!! The Jeu d'Adam, people! That's so exciting! It means, among other things, one more 12th century text, one more Anglo-Norman text, one more opportunity to remind students that literature in the Middle Ages was multi-lingual, and one more way to talk about different communities and audiences for texts, dramatic or otherwise. And if you're doing a Med-Ren survey, it would make a nice pairing with Milton's Paradise Lost, as a study in the cultural uses and interpretations of this supposedly traditional, sacred and 'fixed' story. The only other place you can get the Jeu d'Adam in an anthology is in Bevington's Medieval Drama (that's the translation they use, btw.) And the other exciting bit is the edition of Mankind they've used -- they've modernized the spelling and punctuation especially for this edition. I love teaching Mankind in my medieval lit. courses and have done so many times, but my students do get lost in the language. The simple matter of changing a medieval 'y' to a modern 'i' -- and other such changes that don't effect prosody -- makes all the difference to student learning. Yay for Broadview doing this! It also includes Everyman as well as Mankind, so students can see the variety of allegorical drama. Oh, and Flavia, you'll be happy to hear that it has the Chester Noah's Flood, too, which I recall you were missing in the new Norton. (I think it was you, wasn't it?)

I have other things to say about the anthology, but I'll save them for another post, one that isn't dedicated to all things dramatic.

So now, on to the links. Back when I was talking up the revised Norton -- which, to its credit, updated its medieval drama section; but alas, no Jeu d'Adam -- I kind of picked on poor Everyman and a lot of you concurred. And it is true that it has been misused critically and pedagogically as a kind of fall-guy for the dullness of the 15th century and the flatness of medieval drama. Plus, there is still much critical debate about just how English, medieval, and dramatic it is -- thus one can question its use in the Norton and other anthologies as an exemplar of medieval allegorical drama. And I have to say, I just personally prefer the raucous Mankind or the spectacular and comprehensive Castle of Perseverance. But we were later taken to task, perhaps rightly so, for underestimating the dramatic power of Everyman. You probably didn't see this comment because its writer came by long after the freshness of that post had expired. Its author, Douglas Morse, is making a film version of Everyman, and I wanted to alert you all to it and to the director's web page, so that you might put yourselves on the mailing list and consider using a DVD of it when teaching Everyman, or at least check out the stills and clips. It's a film and not a filmed version of a stage production, so it won't give students a sense of Everyman as a play, per se, but it might still be pedagogically useful.

Meanwhile, in other Everyman news...I blogged about this before, but it was in a quicky post that got lost between other posts way back when, so I'm going to blog about it again. So there! The "it," btw, is a blog called Tuco's Lament, about one man's creative process of re-envisioning The Good, The Bad, and The Ugly through the lens of Everyman, and doing the whole thing with puppets. Don't laugh -- puppetry is a beautiful art. Just look at his Everyman/Tuco puppet or this gorgeous backdrop. I suppose I've loved puppetry all my life -- Sesame Street and I are the same age, and I grew up on the muppets -- but I got into really artful puppetry and marionettes when my 5th grade social studies teacher, whom I thought was the coolest of the cool, told me she was a puppeteer and invited me to a show. Until then, I never realized how real and beautiful live marionettes could seem. Exquisite. And yes, I love Being John Malkovich, especially the Heloise and Abelard puppet show. So add Tuco's Lament to your list of post-modern puppet reinventions of medieval narratives! It appeals to me, anyway.

Friday, August 18, 2006

69 Facts about Dr. Virago (with pictures!)

Get your mind out of the gutter! The title refers to the fact that I totally flaked on the 100 Facts in 100 Days meme after Fact 31, so I decided to fill in the rest in one post. Why bother? Because I don't like leaving anything unfinished. Well, except The Mysteries of Udolpho. I just couldn't take another page of constant overuse of the word "sublime." Oh, and I never finished this latch-hook pillow project when I was a kid (click to "embiggen"):

Te-hee! Remember latch-hook?

But that's not an official fact. That's a bonus fact! Lucky you! Without further ado, here are the official facts (probably full of typos because I have no patience to proof-read it all):

32. I wore this awesome dress to my prom:

Front:
Those "straps" you see are just for the hanger. It's a strapless dress.

Back:

And most awesome of all, the fish-tail train in close-up:

33. I have dated a drummer. And another and another. One of them was my date to that prom.

34. I first travelled to Europe when I was nine.

35. While in Vienna on that trip, I got to pet a lion cub. But I didn't set any bears free.

36. My spoken French is terrible and my listening skills aren't much better, but sometimes I still dream in it.

37. My heart swells with love whenever I'm in Yorkshire.

38. My English ancestors were from East Anglia.

39. I grew up in a Plains State. (What's with all the flatness, people?!)

40. My first English ancestors to come to North American arrived in Massachusetts colony in 1628. My mother always refused to believe they were Puritans.

41. My Irish ancestors arrived in the 19th C. and headed straight to one of those all-Irish towns in Illinois (more flatness!). Cf. Road to Perdition.

42. I have a medal from the NRA. See -- look:
43. I was raised Catholic and went to 12 years of Catholic school.

44. I don't consider myself Catholic anymore...that is, until someone picks on Catholics.

45. I went to an evil, preppy, snooty high-church Protestant sleep away camp when I was 12. See number 44.

46. My biggest problem at that camp, however, was not being Catholic, but innocently asking "What's Junior League?"

47. Growing up, I liked adults better than kids. Perhaps camp had something to do with that?

48. As a kid I was a bit like a girl version of the boy in About a Boy.

49. I can't decide if I'd rather live in mountains or by water. I live in flatlands now, with no water except when there's a storm and the streets flood. I came from fens and swamps (see the English and Irish ancestors) and to swamps I have returned.

50. I spend as much time as possible barefoot.

51. For the runners: I have a perfectly neutral gait. For the non-runners: that means when I roll off my toe, I do so perfectly down the center. It doesn't make me faster, but it means I'm not very injury-prone (unless I trip or something).

52. My marathon PR is 3:43.

53. My weight goes up and down about 20 lbs. depending on the amount and intensity of my running.

54. I'm 5'8" but I often claim I'm 5'9".

55. My current resting heart rate is 60, but when running regularly, it's 50.

56. I have 20/20 vision.

57. I only occasionally wear skirts and dresses. I prefer pants.

58. I loved REM in high school and college and still have t-shirts from that era. And I saved this, too:
59. Wilco has now replaced REM in my American(a) heart.

60. I have a theory that the 1970s were the best times for American girls to grow up. Perhaps I'll elaborate one of these days.

61. My porn name is Emily Windsor. It's not very porny at all!

62. All of my pets have had human names.

63. I don't like mustaches or soul patches alone (sorry Fizzy!), but put 'em together (for example, see Bullock on Deadwood) and ooh la la! Sexy!

64. I'm dreading the whole skinny jeans come-back, except on skinny men, where it looks kinda cool.

65. In my college facebook entry, I listed Amadeus as my favorite movie. I was the only one who did so.

66. Brad Dourif is my favorite character actor.

67. I can wear t-shirts in a children's large.

68. I still sometimes wear my 8th grade gym uniform t-shirt (a vintage ringer with the school name and mascot).

69. In high school and college I weighed 110 lbs (see that dress above).

70. I have a vintage Stephen Sprouse micro-mini from the 80s that would probably only fit around one of my thighs today.

71. I've worked in a fast food joint.

72. I've worked in retail.

73. I've been a paralegal.

74. All three of the above facts make me grateful to be an academic.

75. When I was a kid I wanted to be a zoologist.

76. I used to make purring noises at the big cats in my hometown zoo.

77. I have a framed portrait of myself, drawn by a friend.

78. I prefer winter to summer, but I really love fall.

79. I had a crush on Luis on Sesame Street when I was a kid.

80. Later, I had a crush on Apollo on the original Battlestar Galactica.

81. I had a unicorn collection when I was about 12.

82. At the same age, I love the local Renaissance Fair.

83. I've always wished I were a redhead.

84. I've always wanted straight, shiny hair.

85. I wanted to be a novelist (after the zoologist phase) but I could never come up with plots.

86. I'm an even worse poet. To wit, this morning I composed two haiku in honor of Life on Mars:

D. I. Sam Tyler,
Hurt in a crash, lost in time,
But his clothes are very cool.

Nineteen-seventies,
Smoking and drinking at work,
Oh, what we have forgotten.

(Yes, I'm obsessed with the show.)

87. My left middle toe is longer than my big toe.

88. I can pick things up with my toes.

89. I spent a summer as a live-in babysitter and refer to it as "my summer as a governess."

90. I really want tobe on one of the BBC/PBS "____ House" reality shows.

91. I have conversations in my head with absent friends.

92. I talk with my hands.

93. I can't carry a tune, but I like to sing.

94. I have never been a member of SCA or played D&D.

95. I have no desire to travel back in time and live in the Middle Ages. I prefer modern conveniences and feminism, thank you very much.

96. I do, however, covet a thatch roof cottage in England -- retro-fitted with mod cons, of course.

97. I have dated two men named Guy. Neither was from Warwick.

98. I like mid-century ranch houses, but only if they're well-designed.

99. I hate this meme!

And finally, your reward for getting this far (though some of you know this already):

100. My biggest claim to cool is having been on a handful of dates with a certain fast-talking movie director and Oscar-winning screenwriter who has worked more than once with a stunning blonde daughter of a professor of Eastern religion. (Enough hints? I don't want to encourage odd Google hits.)

Cruelest junk mail subject line *ever*

"Summer is almost here!"

Need I say more?

Wednesday, August 16, 2006

And so it begins...again

Ah, it's back-to-school season here in Rust Belt. The graduate students are being oriented, the undergraduates are being "launched" (don't ask), and the dean is addressing the state of the college tomorrow. Syllabuses have been made and I'm busy scanning oodles of stuff and collecting piles of books for reserve for my two -- count 'em -- two graduate courses. (Weird trivia about my upcoming semester: I'm teaching all graduate students. And then next semester it's pretty much all undergraduates.)

Of coures, the title of this post also refers to this blog starting up again. Sorry for the disappearing act (the second in a row, no less). I'm actually going to write about the reasons why in an upcoming post on routine. Right now I just wanted to pop in and say I'm alive and well and that this mini-post announces the fact that I'm going to get back to regularly scheduled blog writing and reading. Which reminds me -- I have three weeks of blog reading to do! Ack!

In the next post I'll finish up that silly 100 Facts meme in one fell swoop. And then I'll get back to substance. This post is really just to hold me to all of this.

Oh, and by the way, I think it's hilarious that a link from Le Blog Bérubé, buried deep in one of his characteristically long posts a couple of weeks ago, got me my highest visitor stats all summer, and also bumped me up the Great Chain of Being, just when I wasn't even posting a damn thing. Go figure. I write, no one reads. I don't write, I get a gazillion click-bys. See, this is why all that Ecosystem and Site Meter watching is unhealthy.

And PS -- Regarding the TV shows I mentioned in the last post: Eureka is lame. It had potential, but it has turned out to be quirks for quirks' sake and little more. So there's an hour a week I don't have to waste anymore. Hex got a little disappointing, too, but partly because BBC America showed the first English season plus three episodes from the second English season and called it "Season One" here. No wonder we felt let down. BUT, I am absolutely delighted to say that I love, love, LOVE Life on Mars even more episode by wonderful episode. I'm utterly obsessed. Completely smitten.

Tuesday, July 25, 2006

Where have you gone, Dr. Virago?

Our nation turns its lonely eyes to you.

Uh, right. Maybe not. But I couldn't resist the "Mrs. Robinson" reference. (No reason for it, btw. Bullock is 2 1/2 years older than I am.)

Sorry to have left and gone away (hey hey hey) without explanation. I've just been in one of those "don't-feel-like-blogging" modes again, in part because I lead a dull, dull life at the moment. [ETA: Came home from the office today and Bullock said, "Sorry you're so bored, honey." (He reads the blog.) So I feel I need to say that I'm not at all bored. But my life doesn't make for very exciting blogging because things are too darn normal and contentment doesn't make for good narrative.] It's not like I've been terribly busy (not like the school year, anyway) but I've been getting back into work, and since I didn't work at all the first two months of summer (mourning + moving = Dr. Virago not getting any work done) there's been a little bit of urgency to this last month of summer. (Can you believe we start August 21? Ugh!) And I'm actually accomplishing some things (see ye olde Random Bullet Points of Crap below).

But it hasn't been all work. Not that I'm up to much that's exciting, but there has been some rest and relaxation. And lots of TV and movies. Lots. Huge quantities.

So, without further ado, I give you Random Bullet Points of Crap: How Dr. Virago spend her remaining summer vacation. Here's what I've been doing:

  • Editing an article that has been accepted for publication! Woo-hoo! It's just a pedagogical piece, but it was peer-reviewed, so at my university, that counts as much as any other peer-reviewed piece. And the reviews were glowing! Yay me! Because I was mixing contemporary pop culture and medieval literature, one of my readers compared me favorably to story of St. Aldhelm on the bridge, who allegedly dressed in the guise of a minstrel and recited popular poetry to the people to get their attention before wowing them with his sermons. Read more about him here. Anyway, the edits are all in the nature of tracking down citations that I was a wee bit sloppy with in the first version (missing page numbers and the like) -- always a tedious but necessary task.
  • Writing an application for an NEH Summer Stipend. At this point it's still the internal stage -- you must be nominated by your university and each university may only submit two candidates. I did this before and was nominated by Rust Belt U., but alas, I failed to receive a stipend. I have a good idea why: the project was in its most amorphous beginning stages and I really couldn't write convincingly about what I was doing with it. Now I've done a lot more research and I'm proposing what's necessary to complete an article (including manuscript and archival research in England -- which is what I really need the funding for), not to begin some vague book project. I think the NEH will prefer something more concrete like that to the rather fuzzy project of two years ago. But now I have to convince my U. that I'm worth betting on again.
  • At the same time, because it's related to this application, I've been drafting what I'd write as my part of a proposal for a volume of essays, to which this article would be a contribution. (Wow, that was an ugly sentence.) And yes, I've mentioned this proposed collection in my internal application (and will probably mention it in the NEH version, too) so that my U. will see that this really isn't some vague project, but a concrete and short-term project with real prospects of publication.
  • Writing two encyclopedia articles. I know, I know, they're not worth much professionally. But I consider it a favor to a friend. Plus, one of them I can write in my sleep. The other is a little hard because it's really a topic defined by the criticism and not the literature, but the title of the entry is "X Subject in Medieval Literature" so I'm having a harder time with it. And the hardest thing about both entries is the conservative (small "c") nature of the genre. Dealing with organization and categorization for the one I can write in my sleep is a bit of a bitch because the categories by which one might expect to see it organized are the ones I strongly question. It's all reminding me of an essay we had to do for freshman composition way back in the last century. Our teacher asked us to categorize the people on our dorm floor. Of course no one wanted to use demographic categories like race, national origin, religion, or socio-economic background, because we were all idealistic college students. But also, how useful were those categories to us? (The best essay, btw, came from a guy who categorized people by their treatment of him -- it ended with the category "Just Jerks.") Well, anyway, the categories I could use are kind of like those demographic categories -- obvious, conventional, but questionable in their usefulness in this particular situation. But then again, an encyclopedia entry isn't the place to be innovative. Argh!
  • Watching a lot of DVDs from Netflix on the almost-as-good-as-a-movie-screen tv here at the homestead with Bullock. (Wait, I take that back. Sometimes it's *better* to watch movies on our tv than at the theaters in Rust Belt, since some of them are managed by the idiots who turn down the project bulbs under the false impression that that will save them electricity rather than just ruin the movie's visuals.) Among the movies Bullock and I have watched are:
    • Seven Up! and 7 Plus Seven. I can't wait to see the 21, 35, 42, and 49 installments. If you don't know these films, they're quasi-ethnographic documentaries of 14 English children from different socio-economic backgrounds, who are interviewed at ages 7, 14, 21, 35, 42, and, recently, 49, to see where they end up. When they started the project, in 1964, they chose these kids because they wanted a glimpse of England in the year 2000. I'm really curious to see if the class differences really did make their mark on these people's lives, since I think of England in 2000 as a very different world from England in 1964. I mean, I imagine the rather rotten rich girl who lives on a 4,000 acre estate will probably still be rotten at ages 21, 35, and 42, and still have all her privileges, but I wonder if the lives of those from lower and middle classes will have merged more, especially since some of them are going to similar state schools, and they may wind up at the same universities as the public school boys. In other words, I wonder how much education will be a leveler (or not). I'm also fascinated by how much all the kids at ages 14 already seem like characters out of 19th century novels. Some of them are aware of this, too. The public school boys, in particular, are worried about being portrayed as stereotypes. (For the record, though, the three of them have very different personalities and politics, at least at age 14.) Anyway, if you have seen this series, don't give anything away in the comments!
    • Spellbound. Clearly I'm on a documentary kick, as well as a charming kids kick. (Next on my Netflix queue, in the charming kids category, Truffaut's Small Change, aka L'argent de poche, one of my favorite movies of all time, but which Bullock hasn't seen.) Although Bullock kept mocking the uselessness of spelling bees as actual education (and he has a point, unless the kids are also studying how language works at the same time) I was really moved by a lot of these kids. And who knew how exciting the competition could be to watch! I actually had nail imprints in my palms from the clenching anxiety some of those kids provoked.
    • Millions. Yes, more charming kids, this time fictional ones in a kind of magic realism setting a la Danny Boyle. (Who knew Danny Boyle could do a family film!) If I ever do a class on hagiography, I'm ending with this movie. Seriously! I loved, loved, loved the quirky takes on the visions of the saints and the boy's obsessive, almost statistical-minded, memory of each of them and their lives. In fact, this movie might also pair well with Margery Kempe as a way into discussing her homely imitation of the saints and saintliness. In fact, the more I think about it, the more I think this movie would be *great* with Kempe. After all, Damian annoys his brother Anthony with his wish to give the money to the poor and do good deeds almost as much as Margery annoys the people around her. And the domestic is such an important part of both texts. Brilliant!
    • Napoleon Dynamite. No charming kids here! Finally got around to seeing this, and while I didn't love it, I liked it. I found it an interesting take on the teen movie genre. What happens if your geeky hero actually *is* a geek, it seemed to ask -- as opposed to the Hollywood version of a geek, which usually means Molly Ringwald or Lindsay Lohan or the male equivalent. The result? Well, it took me longer to warm up to Napoleon and then I felt kind of guilty for taking so long. And then I got mad at the movie for making me feel guilty. And then I started saying "Dang!" a lot.
  • Watching a lot of TV. What's that you say? Nothing's on? Not so! Basic and premium cable got wise and launched a lot of interesting stuff while the networks were running crap reality tv and reruns. Here's what we're watching:
    • Deadwood. Best. Western. Ever. Need I say more?
    • Lucky Louie. If you haven't seen this, you must. If you don't have HBO, get the DVDs when they come out. It took us a couple of episodes to 'get it,' but after that we realized that this is a brilliant take on the conventional sitcom formula. The conventions are all there, only for the first time, because it's HBO at 10:30 p.m., the people are saying the kinds of things they'd say in real life (fully foul-mouthed, as befits HBO) and you're seeing much more than you'd see on a network sitcom. And there's no warm and fuzzy resolution. And can I just say how refreshing it is to see real people again on TV. It reminds me of what an impact Roseanne made.
    • Hex. BBC America's very witchy take on the teen drama. The usual hotties are there, but now they're involved with demons, witches, a colonial and slave-owning past, and a snarky lesbian ghost. Not quite Buffy, but good stuff.
    • Eureka. Still warming up to this new SciFi show, but it has potential.
    • Life on Mars. Loved, loved, loved the first episode of BBC America's existentialist science-fiction-meets-hard-boiled-police-procedural-meets-nostalgia-for-the-seventies new series. Seriously, they couldn't have made a more perfect show for me and Bullock. He loves sci fi. I love hard boiled detective fiction. And we both love the "is it real or is it all in your head" trope.
That's about it. I do have some posts in my head -- if only I can pull myself away from the tv long enough to write them! I still want to talk about that new anthology -- which I love in all its quirkiness, but especially in its treatment of medieval drama -- and I have fabulous pictures of my 1980s prom dress to post, and I know y'all are just *dying* to see that!

Monday, July 17, 2006

Oh f*** me, why did we *play* with our toys?

So I kind of figured my Star Wars toys were worth diddly, since they were loose, but just out of curiosity, I started clickng around some of the collector sites on the web. And guess what I wish I hadn't learned? Well, it seems that my blond SW Luke Skywalker, if he still had his original double telescoping light saber (which I very distinctly remember him having -- I got him in the "Early Bird" pack) would still be worth quite a bit of money even loose because the telescoping light sabers are rare. (I think my white-haired Obi Wan, who is also missing his saber, *might* have once had a telescoping one, but I *know* my Luke did.) Darth Vader, alas, the only one still with his saber, has a mere single telescoping saber, otherwise he'd be worth mega-bucks, even loose. Of course, that doesn't mean I'd find someone to *buy* Luke, with saber intact, for a lot of money, but still, that one little missing piece of cheap plastic makes me want to bang my head on the desk.

Sigh.

Collecting is weird and so is eBay, by the way. I was looking at what people were bidding for SW trading cards on eBay -- because, yes, I have some of those, too -- and people were bidding $15-20 a piece for some individual cards, but not bidding at all for complete sets where the minimum was $5. Can someone explain that to me?

Sunday, July 16, 2006

Virago Facts 30 and 31 - Geek edition plus trivia questions!

Virago Fact 30: I was a tomboy.

As proof of Fact #30, I offer you Fact #31: I was a Star Wars geek.

And as proof of #31, I offer you the following photos of my SW toy collection. When I brought them home to Rust Belt from Cowtown, Bullock said, "You were more of a boy than I was!"



For the record, the purple, blue, and green striped wallpaper was Ms. V's doing in the '70s. she even made a matching trash can by using the same wallpaper on the outside of a clean Baskin Robbin's ice cream bucket. She was very crafty. Anyway, I later inherited that bedroom.





This is the original light saber toy, the one with the inflatable "light beam" that would either bend limply over time or come off the flashlight base because the plastic had stretched. Mine suffered the latter fate, and the tape my mom used to re-attach it is still holding it together.





Ah, the Death Star play set! Mine, I'm proud to say, is utterly complete and in working condition. There's a monster and "trash" (foam bits) in the orange trash compactor at the bottom! And if you look closely you'll see a rope swinging from the ceiling over the retracted bridge; it's just waiting for Luke to swing across with Leia!




At last, the action figures. Some don't have the right guns because my set got mixed up with my nephews and a few things got switched. And Luke and Obi Wan are missing their light sabers. But in general I'm amazed that most of them *do* have the appropriate weapons, despite being played with by me, my friends, and later, my nephew and his friends.








And these are the Empire Strikes Back figures. I was getting older and losing interest after the first few came out, so there are only 9 figures here. Meanwhile, my mom had discovered that some of these things were becoming collector's items, so she thought if she saved the cards, they'd be more valuable. She didn't realize that they still had to be *in* the packaging and unplayed with. At any rate, it made it handier to identify them and their guns.




And now the trivia question I promised. One of my nephew's Empire Strikes Back figures made it into my Star Wars carrying case, in one of the blank slots left for additonal Storm Troopers and Sand People. Can you identify which figure it is, and, for extra geek points, tell me the figure's name? (Remember, you can click on the photos to "embiggen" them, as JM says.)

May the Force be with you.

Friday, July 14, 2006

A Friday Threefer: Poetry, Random 10 and Cat Blogging!


Friday Poetry Blogging

I wans't planning on doing the song-lyric-as-poetry thing, even though poetry and song are fraternal twins, at the very least, but on my drive to Cowtown, the following Neko Case song came up on shuffle and I realized how, with a few changes, it suited Rust Belt. So I'm adopting it as the unofficial theme song of this blog. Plus, it reads well even without the music, since her lyrics tend to scan pretty regularly (very little clipping of syllables or holding them over multiple notes) and it's not stupidly repetitive in print. I particularly like the way the fourth line of the first stanza actually slows down as she sings "Ta-co-ma" over longer notes than the rest of the verse (which continues throughout).

Without further ado: Neko Case's "Thrice All American"

I want to tell you about my hometown
It's a dusty old jewel in the South Puget Sound
Well the factories churn and the timbers all cut down
And life goes by slow in Tacoma

People they laugh when they hear you're from my town
They say it's a sour and used up all place
I defended its honor, shrugged off the put downs
You know that you're poor, from Tacoma

Buildings are empty like ghettos or ghost-towns
It gives me a chill to think what was inside
I can't seem to fathom the dark of my history
I invented my own in Tacoma

There was nothing to put me in love with the good life
I'm in league with the the gangs guns, and the crime
There was no hollow promise that life would reward you
There was nowhere to hide in Tacoma

People who built it they loved it like I do
There was hope in the trainyard of something inspired
Once was I on it, but it's been painted shut
I found passion for life in Tacoma

Well I don't make it home much, I sadly neglect you
But that's how you like it away from the world
God bless California, make way for the Wal-Mart
I hope they don't find you Tacoma

Friday Random 10: Still unpacking
More music! The following ten songs came up during my bouts of book unpacking yesterday. (The bookshelves are done! Photos soon!)

  1. "Free Again" -- Alex Chilton
  2. "All I Do is Dream of You" -- Debbie Reynolds (from Singin' in the Rain -- shut up! That movie is one of my all time favorites!)
  3. "Climbing to the Moon" -- Eels
  4. "Waitress in the Sky" -- The Replacements
  5. "Race for the Prize" -- The Flaming Lips
  6. "Girl in my Dreams" -- The Screaming Tribesmen (Bet ya never heard of them -- they're an Australian band from the early '90s. They looked like a hair metal band, but they were more alternative pop. How I ended up with their CD is a bit complicated, but it's still worth listening to, so I ripped it.)
  7. "Settled Down Like Rain" -- The Jayhawks
  8. "Born Spirit" -- Broadway Project
  9. "Nowhere Man" -- The Beatles
  10. "(Drawing) Rings Around the World" -- Super Furry Animals
Friday Cat Blogging -- A First at Quod She!
This is my sister's cat, Callie. Sure, she looks like an ordinary cat here, under my parents' coffee table...


But what you don't realize is that she has secret Mutant powers. And here, I caught her just as she began to activate her power:


Invisibility! That's some cat!

Thursday, July 13, 2006

New and Improved Virago Facts! Now with Photos!

100 Virago Facts in 100 Days: Day 29
(Yeah, I know I'm behind -- so sue me.)

I once attended Royal Ascot and wore this hat:






Yes, that's wheat on it. And yes, I rediscovered this hat while cleaning out my stuff at my parents' home. More wacky discoveries to come!

Wednesday, July 12, 2006

The triumphant return of my freak magnet

I’m baaaaa-ack! I didn’t have online access from the time I left Effingham to my return to Rust Belt, so I’ll have to do some catching up. Today: my adventures in Freakdom (plus some embedded Virago facts). I wrote the following on Monday night in a Holiday Inn.

Once upon a time I was a Freak Magnet much like this blogger. [So that’s embedded Virago Fact #27: I am, intermittently, a Freak Magnet.] Oh the tales I could tell. Some freaks were passing figures in my life, like the guy dying his mohawk in the laundromat bathroom who said he just loved punk-rock girls and could tell I used to be a punk-rock girl [true! And there’s Virago Fact #28], or “Ken,” who left a note on my car promising to be my love slave. Then there were the freaks whom I managed to encounter more than once, even in big cities like La La Land. (I blame public transportation because that’s often where I encountered them.) Sad, sad struggling actor Phil was one of the recurring Freaks; he said I had “a look” and wanted to take me to an art film (the first time I encountered him), but he also enjoyed “Tonka trucks and pb&j sandwiches” (or so he said the second time he found me). Clearly a man of many tastes. (There’s more of a story there, but that’s for another day.)

Then there were the guys I dated, who swiftly transformed from “interesting” to freak in a matter of days or sometimes hours. For instance, there was Joe, whose last name made him sound like a professional wrestler (the Pastry Pirate insisted I made him up) but who seemed like an interesting guy when I met him in my favorite hole-in-the-wall bar in Hipster Central. He told me I had great hair when I had a funky short cut, so I thought, “OK, here’s a guy with some style, who isn’t hung up on gender stereotypes like long hair on women.” And we talked about A Streetcar Named Desire, which I was teaching at the time, so I thought, “Hey, how often do you meet a guy in a bar in La La Land who actually reads?” (For the record, I knew he wasn’t just going by the movie version since we talked about the ending and the movie is different from the play.) But soon, after a date or two, I realized that these harmless seeming good signs were actually signs of Joe’s freakdom. It turns out he liked the thickness of my hair and actually hated the short cut because, as he said, “you look like a boy.” And why did he like the thickness so much? Because it showed I had “good hair genes,” whereas he was getting thin on top. Ew! He was looking for good breeding material! Consciously! And I also realized, when he wanted to talk about Streetcar again on the second date that it was just about the only thing he’d read and that he was only interested in talking about it because he didn’t agree with my interpretation (I did a queer reading of it) and arguing with me got him, um, turned on.

Oh good lord.

Those incidents – both the Freaks in passing and the ones who stuck around for awhile, who made it past my Freak Detector for a date or two – pretty much summed up my, erm, “romantic” life in La La Land. And then I moved to Rust Belt and met Bullock (who I am glad to say is absolutely NOT a freak) and my Freak Magnet calmed down.

Until, that is, I checked into a Holiday Inn in Terre Haute. The Freak is strong in this place. Or at least it is in the bar, where I could have had my very own sick, sad version of Lost in Translation, or, if that weren’t enough, I could have become a groupie of a lame hotel band (just as my alter-ego/evil twin Lauren Graham did in an episode of The Drew Carey Show!).

But I’m getting ahead of myself. See, the reason why I was in the hotel bar in the first place – lest you think I’m a freak – is because I didn’t get into TH until about 9:30 and I hadn’t eaten dinner and the nice check-in woman took pity on me for having to check me into a smoking room in their pathetic annex across the parking lot in BFE and so gave me coupons for the lounge. So I hied myself to said lounge for a glass of wine and some quesadillas before the kitchen closed. (And to the credit of the HI in Terre Haute, the quesadillas were pretty good. On the other hand, they don’t have wifi, at least not in the lame annex – I’m writing this in Word for future posting.)

OK, now that I have established that I’m not lame by nature, but only by necessity, I’ll get back to what happened in the bar. I should’ve known that freaks were afoot when I could hear the pathetic bar band way, way down the hall and in the swimming pool area. (And btw, who the hell thought a swimming pool in the middle of the atrium/lobby area was a good idea in freakin’ Indiana? I mean, it’s one thing to do the whole exhibitionist swimmer thing in SoCal or Las Vegas or Hawai’i, but really, in a Holiday Inn in Indiana?) And at first I thought they were so damn loud that I wouldn’t be able to stand it (yeah, I’m getting old – at least where rotten bar bands are concerned) but I was really, really hungry. So I wandered in. There was no hostess, though there was something like a hostess stand, though if there had been a hostess I wouldn’t have blamed her for not standing at her post, since it was right next to the hideous and loud band. I also didn’t want to stand there, so I started to venture towards the bar, which wasn’t much further from the band, but it had staff people I could ask questions of, such as, “Is it too late to get food?” But as I was taking all this in, a very old man – old enough to be my father, and for the record, my father is 83 – waved at me and beckoned me. Um, I don’t think so. In fact, at the time, I thought he must have me confused with someone else, so I ignored him and went up to a server to ask if I could get food and if I should seat myself. I decided to seat myself as far away as possible from the bar with the weird old man, but also far enough back that I could escape going deaf but also still see the waitress.

Once settled in, and once the waitress interpreted my order over the din (there was a lot of pointing), I decided to actually look at the band. There were at least in their late 40s, or perhaps just looked it, and between the three guys I could see (I couldn’t see the drummer) they had a veritable Museum of Bad Hair that only a cheesy bar band could have. One guy had a stringy blonde ponytail; one had a shaggy mane reminiscent of hair metal bands and a Harry-Shearer-in-Spinal-Tap mustache to go with it; and the lead guitarist had a mullet. And it wasn’t just any mullet; it was a curly mullet. (It’s a shame I didn’t have the camera with me or I could’ve sent it to Mullets Galore or whatever that old website was. Wait, are they still around?) They were playing the expected bar band mix of classic and southern rock with a bit of country thrown in – this is Indiana, after all – but once in a while they threw in one of their own songs and hawked their CD. I think that’s what made them especially sad. There weren’t just a bunch of accountants getting their kicks on the side playing the Allman Bros. – they were serious. Oh, and at one point, the guitarist referred to the band as a “bunch of young guys” and also drew attention to the fact that their audience was so small and they were playing a hotel on a Monday night. Oh man, so sad! And he knew it!

But wait, what does this have to do with my Freak Magnet? Glad you asked. You see, soon after I settled into my booth, from which I could see the band and the whole crowd, I noticed I was the only woman there who wasn’t a staff person. The band noticed too, because they started singing towards me. That is, the two guys who traded singing duties (ponytail guy and mullet guy, but especially mullet guy) starting directing their gaze at me as they sang things like “American Girl.” This then directed the attention of the rest of the audience (all 10 or so of them) towards me, so I had a roomful of lame men in a hotel bar on a Monday night all looking at me. I was so uncomfortable I pulled out my PDA and started updating it!

And if that weren’t enough, this reminded Old Dude that I was still there, and every time I looked up for the waitress, he was waving at me across the room. I tried to make it obvious that I wasn’t looking for/at him, but he didn’t get the message because just as I was polishing off my quesadillas (oh god, he must have been watching, waiting for me to finish) and as I had my head buried in my PDA (now I was just playing one of the games, truth be told), I saw an old pair of hands resting on my table. I slowly looked up in my best Heathers-cum-John-Hughes-film-cum-Veronica-Mars look of slow burn popular kid disdain, but Old Guy didn’t get it. I raised one eyebrow as if to say, “Yes? Can I help you?” He still didn’t get it. He asked me if I wanted to dance.

Ick.

I know some of you out there are thinking “Oh, for heaven’s sake, dance with the lonely old guy.” No thanks. I think old guys who ask much younger women to dance are creepy and full of a ridiculous sense of entitlement, especially for old guys hanging out in a hotel bar. And this is especially true of this particular Old Guy because it took three freakin’ times to get him to take no for an answer. Had he pressed again, I would’ve lost the polite smile and “no thank you” and told him to fuck off.

Tangential story: I once had an old guy so determined to dance with me that he grabbed hold of my wrist in a vice-like grip (creepy old guys are often surprisingly strong) and I had to sit down and use gravity as my ally to get him to give up. I also nearly started crying because I really, really didn’t want to dance with him – I’d been told that he told stories of sex with boys in Asia when he was in the Korean war, and he both disgusted and scared me – and the whole situation was made worse by an insensitive boyfriend who thought I was being rude. If you ask me, both that situation and the more recent one seem to enact on a vaguely socially acceptable level (i.e., dancing) an issue of women’s autonomy. I think both old men just assumed I’d say yes – after all, don’t all women secretly want to be asked to dance, no matter by whom, even if they’re otherwise occupied with their dinner or their date? (And yeah, I was royally mad at that asshole of a boyfriend.)

Which brings me back to the hotel bar in Terre Haute. So there I am, just trying to get some dinner and my free glass of wine so I can go back to my room, relax, and get enough sleep for the long drive the next day, and my peace is disturbed and attention drawn to me by not one, but two Freaks (out of only about 15 people total in the place!), both of whom, I’m sure, thought they were complimenting me. After all, what woman doesn’t like to be serenaded, even by a sad, cheesy hotel band? What woman doesn’t want to dance with whomever is available? Especially a woman who is all alone in a hotel bar. Isn’t she just asking for company?

And that’s what I think my so-called Freak Magnet was/is all about. It’s about being a woman alone, on her own, in public. It’s why it hasn’t been so strong in Rust Belt because I don’t take public transportation and more often than not I’m out with Bullock or with Victoria. I’m not alone in public as much as I was in the big cities. It’s just a different life here, but now part of me wants to defiantly go out in public by myself more often just say “Fuck you, Freaks! You have not driven me into hiding!”

But as troublesome as freaks can be, and as much a sign of general misogyny and sexism that they might be, I have to say, life could be worse: I could be a sad, 40-something musician with questionable sartorial taste, playing lame classic rock in a loser band in a hotel bar on a Monday night. Or worse, I could be a really old guy getting down to them and failing to pick up the only women in the room not on the hotel payroll.

So ha!

Friday, July 7, 2006

Oh who am I kidding?

There will be no sunrise photo of the Effingham Cross. I got up at my usual 7:30. I'm just leaving my hotel room now, at 9 am.

Sigh.

Greetings from the Crossroads of America

And when they say crossroads, they mean Cross / Roads. Seriously, if you didn't believe me about the scary giant cross I keep mentioning every time I pass through here, click on that link and look at the tiny people at the foot of the cross. And btw, when that website says it's meant to be a beacon of hope, do they mean it as in "Oh boy, I hope I make it to that cross, where I know there are gas stations, before my tank hits empty"? Because that's what it means to me. When I got here I'd driven 395.9 miles on a single tank of gas and I'm a little lucky I made it, given that I only had about half a gallon left when I filled up!

In all fairness I have to say that this huge cross is quite classy and understated compared to the Godzilla-Jesus somewhere south of here on I-57. Bullock and I saw it on our way to a wedding in southern Illinois. It's a statue of Jesus's bust and arms rising out of a pond in front of some megachurch and I swear to the FSM the head alone is the size of a house. Given the size and the watery setting, the first thing Bullock and I thought of was Godzilla. I think I was supposed to be thinking of baptism, but since there was no John the Baptist (and we're all grateful for that!) and Jesus looked to be rising out of water, rather than being submerged in it, baptism didn't come straight to mind. Giants rising out of the water always mean Godzilla to me.

Anyway, back in Effingham, I think I freaked out the waitress in the Cracker Barrel next to my hotel by actually playing with that peg game that's on the table. I used to be able to do that thing -- it's the one in the shape of an equilateral triangle and you have to jump pegs until only one is left -- but this time I could only get down to two pegs. I only gave it three tries, though, before my beef stew came. And can I just say that I myself momentarily freaked out when, upon entering a Cracker Barrel for only the second time in my life, I realized that it looked just like the other Cracker Barrel I'd been in. I realize that that's probably a design element and I guess they think it's comforting to most people -- and maybe it is -- but it really unsettled me. I felt a hole rip in the time-space continuum as I suddenly occupied two places and two times simultaneously. Creepy.

Speaking of creepy, the part of Effingham I've seen is a very weird little place. Of course, I've only seen the part that caters to the truckers and roadtrippers on I-70 and I-57, so maybe it's a nice place away from the highways. Still, it makes me want to sing lonesome songs. Maybe I'll listen to some Neko Case when I get back on the road tomorrow.

Well, that's all I've got for now. I think I'm going to try to be good, go to bed, and get up bright and early so that maybe I have some time to stop at the scary giant cross myself and take a sunrise picture of it. What can I say -- I love roadside kitsch.

Oh, and when I get back to substantive blogging, I want to post about yet another Brit Lit anthology. Just got the medieval volume sent to me and the table of contents alone has me very excited. But I still need to read some of the headnotes. But now, to bed.

100 Virago Facts in 100 Days: Day 26

I grew up saying "pop" for the stuff that Coca-Cola, Pepsi, et al. make. Then I moved to the East Coast and quickly learned to say "soda," lest I seem like a rube. I kept saying "soda" for roughly the same amount of time I'd said "pop" in my formative years, yet when I moved back to a "pop" region three years ago I couldn't bring myself to resume the habit of my youth. I still say "soda."

Thursday, July 6, 2006

You *can* go home again...unfortunately

This afternoon I leave for another trip home to Cowtown. (And this time maybe I *will* blog from or about the scary giant cross in Effingham, Illinois, where I always stop. Remind me to take Bullock's digital camera with me.) I am NOT looking forward to it.

Actually, scratch that. I'm looking forward to seeing Virgo Sis, who's there through Saturday, and meeting her kitty for the first time. Apparently Sis's cat spent most of their entire roadtrip on Sis's lap! She sounds just adorable. And I'm looking forward to seeing Fast Fizzy and the Fizzy Family. And I'll also be seeing my high school BFF. We really are still friends despite the fact that she's a preppy conservative Catholic and I'm, well, none of the above. I kind of appreciate our differences sometimes and celebrate our continued similarities. I missed her on the last trip -- I really should have called her and asked her to come to the memorial, but I didn't want to burden her -- and I'm looking forward to catching up with her.

As for Dad and home -- not so much. I haven't been back since Mom died and I'm not looking forward to being in that house without her in it. The reason why I'm going back is to collect my old belongings that I really want to keep (beloved childhood books, my prom dress, my old dollhouse, my Star Wars toy collection, etc.) those things of Mom's that were meant to go to me. Why so soon? Because from the moment Mom died (and I'm not exaggerating -- I swear it's the first thing he said when I came back from the hospital and told him Mom was dead) and every day since, Dad has been saying over and over again, "I've got to think about selling this house. You kids need to come get your things and whatever you want from your mother." Of course, he's not actually going to get this process rolling any time soon -- and frankly, that house cannot be sold with him still in it (if you've ever been shown a house that old people had been living in for 50+ years, you know what I mean) -- but that won't stop him from pestering us. A few days after Mom's death, when I said, "Dad, give us some time," he yelled, "The hell with that! I'm on MY time now!" (I really wanted to say, "When has it ever NOT been your time, you selfish old fool?") Of course, collecting my stuff probably won't stop him from pestering me, given his failing memory. Every week we have the same phone conversation in which I say something about packing or unpacking and he asks, "Did you move?" And every time I remind him I sent him my new address. If he weren't so damn pathetic I'd be even angrier with him.

And I'm really sick of organizing, sorting, packing, unpacking, and storing things. Really, really sick of it. I want to be settled in again. I want to get back to work. I haven't done a lick of real work since the semester ended and I've lost all momentum. I keep wanting to comment on people's posts on where the books go (office or home -- Flavia's question) or how much writing they're getting done, but it's all depressing me because I've been so disconnected from work for the past two months. That's also the reason why I haven't done much substantive blogging -- and my readership has fallen off as a result. I just don't have much to say, unless you're interesting in hearing about my methods for packing the dishes!

I'm taking the computer with me and the iPod (with the cool new hot pink tube that Tiruncula sent me -- thanks, Tiruncula!), so I hope to escape to blog, and when Dad's getting to me, I'll just pop the iPod earbuds in. If things are really bumming me out, maybe I'll try to lighten things with nostalgia blogging -- my old room is a veritable palimpsest of my life since I spent the first 18 years of it in one place, and there's some funny shit from my teen years. Yeah, I should defintely take the digital camera with me!

And since I'm only taking a weekend to go through all that crap, it will be a lightening fast exercise in "How much does this really mean to me?" It'll be just like those reality show where they throw someone's entire life into a wood chopper or sell it at a garage sale!

Well, anyway, wish me luck!

100 Virago Facts in 100 Days: Day 25

I have met Prince Edward of England. All I could think during our brief conversation (at a royal charity garden party) was "He seems so sad. I really want to whisper in his ear, 'You wanna blow this hotdog stand and go get a beer? You look like you could use one.'" Of course, can't feel *too* sorry for the filthy rich, now can you?

100 Virago Facts in 100 Days: Day 24

I have no idea what color to call my eyes. Seriously. They're dark green around the outer rings, but then dark gold around the iris pupil (I actually originally meant to say "middle rings of the iris" but skipped over a whole string of words. Hate when I do that). Is that gold what they call "hazel"? And if so, then do I pick "green" or "hazel" on DMV forms and so forth? I generally go with "green" because it's a little more predominant, but still -- what the hell color are my eyes?